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| © Raquel Sousa |
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Showing posts with label Exhibition. Show all posts
Showing posts with label Exhibition. Show all posts
CVTHVUS #2
CVTHVUS #2
Featuring special guest Gonçalo Duarte
Cats are worshiped since the beginning of time. It is their destiny to rule the world in the future. You WILL obey. You WILL cater to their every need.
But the present is tainted, and to make sure they rule, they will come from the future to fix it. For good or bad, beware.
RELEASE PARTY
with musical guests AbztraQt Sir Q and Nѳva
at O das Joanas, Largo do Intendente, Lisbon
Saturday 29th June | 18:30
In collaboration with SOU - Movimento e Arte
FREE ENTRY
Zines available through cvthvus@outlook.com
Price: 3€
CVTHVUS #1 Release Party
featuring special guest Tiago Martinswith SAUR | and unveiling Surveillance
in Terreiro do Paço, Lisbon, at Bacalhoeiro
Thursday 13 September | 22:00
FREE ENTRY
Zines available through chazzythecat@hotmail.com
Price: 4€ (+ shipping costs)
CATHAUS
CATHAUS #00 Release/Exhibition Party
in Chiado, Lisbon, at the Art in Chiado BarSaturday 12 May | 19:00
with the special guest Sofia Pereira
and Mental Burton as a musical guest, performing at 21:00
Zines available through chazzythecat@hotmail.com
Price: 4€ (+ shipping costs)
RSVP HERE! BE THERE OR BE
Cantamos Pessoas Vivas
"We Sing (=Preach) Live People"
Music by Quarteto 1111, a 70's portuguese band.
Their lyrics tried to reach people to rebel against political and social suffocation and power abuse.
Vilar de Mouros, often considered the portuguese Woodstock (inspite of its much smaller size) was, as the
North American festival, a trigger to get people to experience themselves through music, peaceful manifestations
and even drugs and sex, and to get to know, and fight for, real freedom; in more than one way, it was a way for
people to escape the tough reality, and a major factor to fighting for their rights, and eventually to the events that
followed - such as the Carnation Revolution in Portugal (1974).
Exhibition Journal
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Music by Quarteto 1111, a 70's portuguese band.
Their lyrics tried to reach people to rebel against political and social suffocation and power abuse.
Vilar de Mouros, often considered the portuguese Woodstock (inspite of its much smaller size) was, as the
North American festival, a trigger to get people to experience themselves through music, peaceful manifestations
and even drugs and sex, and to get to know, and fight for, real freedom; in more than one way, it was a way for
people to escape the tough reality, and a major factor to fighting for their rights, and eventually to the events that
followed - such as the Carnation Revolution in Portugal (1974).
Exhibition Journal
Exhibition
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| snapshot |
Exhibiton: an informational and nostalgic recreation of both festivals' spirit, through old articles, festival posters, photos, police reports, LP vinyls of bands that played in both festivals, and even dirt and weeds, recreating the physical space, all in a small corner of our university.
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Group effort with João David Gonçalves and Tiago Martins.
And congrats to JD for graduating. Cheers to one of the best groups ever.
Good luck JD.
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